Gene Wilder
Jerome Silberman
June 11, 1933, Milwaukee, Wisconsin
Gene Wilder won the Clarence Derwent award for the Broadway play "The
Complaisant Lover" in 1962.
A lot of comic actors derive their main force from childish behavior. Most great comics are doing such silly things; you'd say, 'That's what a child would do.'
Gene Wilder
Gene Wilder (born Jerome Silberman; June 11, 1933) is an American stage and screen actor, director, screenwriter, and author.

Wilder began his career on stage, making his screen debut in the film Bonnie and Clyde in 1967. His first major role was as Leopold Bloom in the 1968 film The Producers. This was the first in a series of prolific collaborations with writer/director Mel Brooks, including 1974's Young Frankenstein, the script of which garnered the pair an Academy Award nomination for Best Adapted Screenplay. Wilder is known for his portrayal of Willy Wonka in Willy Wonka & the Chocolate Factory (1971) and for his four films with Richard Pryor: Silver Streak (1976), Stir Crazy (1980), See No Evil, Hear No Evil (1989), and Another You (1991). Wilder has directed and written several of his films, including The Woman in Red (1984).

His marriage to actress Gilda Radner, who died from ovarian cancer, led to his active involvement in promoting cancer awareness and treatment, helping found the Gilda Radner Ovarian Cancer Detection Center in Los Angeles and co-founding Gilda's Club.

In more recent years, Wilder has turned his attention to writing, producing a memoir in 2005, Kiss Me Like A Stranger: My Search for Love and Art, and the novels My French Whore (2007), The Woman Who Wouldn't (2008), and What Is This Thing Called Love (2010).

Born Jerome Silberman in Milwaukee, Wisconsin on June 11, 1933, Gene Wilder is the son of William J. and Jeanne (Baer) Silberman. He adopted "Gene Wilder" for his professional name at the age of 26, later explaining, "I had always liked Gene because of Thomas Wolfe's character Eugene Gant in Look Homeward, Angel, and Of Time and the River. And I was always a great admirer of Thornton Wilder." Wilder first became interested in acting when at age 8, his mother was diagnosed with rheumatic fever and the doctor told him to "try and make her laugh." When Jeanne Silberman felt that her son's potential wasn't being fully realized in Wisconsin, she sent him to Black-Foxe, a military institute in Hollywood, where he wrote that he was bullied and sexually assaulted, primarily because he was the only Jewish boy in the school. After an unsuccessful short stay at Black-Foxe, Wilder returned home and became increasingly involved with the local theatre community. At age fifteen, he performed for the first time in front of a paying audience, as Balthasar (Romeo's manservant) in a production of Shakespeare's Romeo and Juliet. Gene Wilder graduated from Washington High School located in Milwaukee, Wisconsin in 1951.

Wilder studied Communication and Theatre Arts at the University of Iowa, where he was a member of the Alpha Epsilon Pi Fraternity. Following his 1955 graduation from Iowa, he was accepted at the Bristol Old Vic Theatre School in Bristol, England. After six months of studying fencing, Wilder became the first freshman to win the All-School Fencing Championship. Desiring to study Stanislavski's system, he returned to the U.S., living with his sister and her family in Queens. Wilder enrolled at the HB Studio.

Wilder was drafted into the Army on September 10, 1956. At the end of recruit training, he was assigned to the medical corps and sent to Fort Sam Houston for training. He was then given the opportunity to choose any post that was open, and wanting to stay near New York City to attend acting classes at the HB Studio, he chose to serve as a Medic in the Department of Psychiatry and Neurology at Valley Forge Army Hospital, in Phoenixville, Pennsylvania. In November 1957, his mother died from ovarian cancer. He was discharged from the army a year later and returned to New York. A scholarship to the HB Studio allowed him to become a full-time student. At first living on unemployment insurance and some savings, he later supported himself with odd jobs such as a limousine driver and fencing instructor. Wilder's first professional acting job was in Cambridge, England, where he played the Second Officer in Herbert Berghof's production of Twelfth Night. He also served as a fencing choreographer.

After three years of study with Berghof and Uta Hagen at the HB Studio, Charles Grodin told Wilder about Lee Strasberg's method acting. Grodin persuaded him to leave the Studio and begin studying with Strasberg in his private class. Several months later, Wilder was accepted into the Actors Studio. Feeling that "Jerry Silberman in Macbeth" did not have the right ring to it, he adopted a stage name. He chose "Wilder" because it reminded him of Our Town author Thornton Wilder, while "Gene" came from Thomas Wolfe's first novel, Look Homeward, Angel. He also liked "Gene" because as a boy, he was impressed by a distant relative, a World War II bomber navigator who was "handsome and looked great in his leather flight jacket." He later said that he couldn't see Gene Wilder playing Macbeth, either. After joining the Actors Studio, he slowly began to be noticed in the off-Broadway scene, thanks to performances in Sir Arnold Wesker's Roots and in Graham Greene's The Complaisant Lover, for which Wilder received the Clarence Derwent Award for "Best Performance by an Actor in a Nonfeatured Role."

In 1963, Wilder was cast in a leading role in Mother Courage and Her Children, a production starring Anne Bancroft, who introduced Wilder to her then-boyfriend Mel Brooks. A few months later, Brooks mentioned that he was working on a screenplay called Springtime for Hitler, for which he thought Wilder would be perfect in the role of Leo Bloom. Brooks elicited a promise from Wilder that he would check with him before making any long-term commitments with any on Broadway or off-Broadway productions. Months went by, and Wilder toured the country with different theatre productions, participated in a televised CBS presentation of Death of a Salesman, and was cast for his first role in a film—a minor role in Arthur Penn's 1967 Bonnie and Clyde. After three years of not hearing from Brooks, Wilder was called for a reading with Zero Mostel, who was to be the star of Springtime for Hitler and had approval of his co-star. Mostel approved, and Wilder was cast for his first leading role in a featured film, 1968's The Producers.

The Producers eventually became a cult comedy classic, with Mel Brooks winning an Academy Award for Best Original Screenplay and Wilder being nominated for an Academy Award for Best Supporting Actor. Nevertheless, Mel Brooks' first directorial effort did not do well at the box office and was not well-received by all critics; New York Times critic Renata Adler reviewed the film and described it as "black college humor."

In 1969, Wilder relocated to Paris, accepting a leading role in Bud Yorkin's Start the Revolution Without Me, a comedy that took place during the French Revolution. After shooting ended, Wilder returned to New York, where he read the script for Quackser Fortune Has a Cousin in the Bronx and immediately called Sidney Glazier, who produced The Producers. Both men began searching for the perfect director for the film. Jean Renoir was the first candidate, but he would not be able to do the film for at least a year, so British-Indian director Waris Hussein was hired.

In 1971, Mel Stuart offered Wilder the lead role in his film adaptation of Roald Dahl's Charlie and the Chocolate Factory. Wilder was initially hesitant, but finally accepted the role under one condition:

“ When I make my first entrance, I'd like to come out of the door carrying a cane and then walk toward the crowd with a limp. After the crowd sees Willy Wonka is a cripple, they all whisper to themselves and then become deathly quiet. As I walk toward them, my cane sinks into one of the cobblestones I'm walking on and stands straight up, by itself... but I keep on walking, until I realize that I no longer have my cane. I start to fall forward, and just before I hit the ground, I do a beautiful forward somersault and bounce back up, to great applause. ”

When Stuart asked why, Wilder replied, "because from that time on, no one will know if I'm lying or telling the truth."

All three films Wilder did after The Producers were box office failures: Start the Revolution and Quackser seemed to audiences poor copies of Mel Brooks films, while Willy Wonka & the Chocolate Factory seemed, to many parents, a moral story "too cruel" for children to understand, thus failing to attract family audiences. After hearing that Wonka had been a commercial failure, Woody Allen offered Wilder a role in one segment of Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask). Wilder accepted, hoping this would be the hit to put an end to his series of flops. Everything... was a hit, grossing over $18-million in the United States alone against a $2-million budget.

After Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask), Wilder began working on a script he called Young Frankenstein. After he wrote a two-page scenario, he called Mel Brooks, who told him that it seemed like a "cute" idea but showed little interest. A couple of months later, Wilder received a call from his then-agent, Mike Medavoy, who asked if he had anything where he could include Peter Boyle and Marty Feldman, his two new clients. Having just seen Feldman on television, Wilder was inspired to write a scene that takes place at Transylvania Station, where Igor and Frederick meet for the first time. The scene was later included in the film almost verbatim. Medavoy liked the idea and called Brooks, asking him to direct. Brooks was not convinced, but having spent four years working on two box office failures, he decided to accept. While working on the Young Frankenstein script, Wilder was offered the part of the Fox in the musical film adaptation of Saint Exupéry's classic book, The Little Prince. When filming was about to begin in London, Wilder received an urgent call from Mel Brooks, who was filming Blazing Saddles, offering Wilder the role of the "Waco Kid" after Dan Dailey dropped out at the last minute, while Gig Young became too ill to continue. Wilder shot his scenes for Blazing Saddles and immediately afterwards filmed The Little Prince.

After Young Frankenstein was written, the rights were to be sold to Columbia Pictures, but after having trouble agreeing on the budget, Wilder, Brooks and producer Michael Gruskoff went with 20th Century Fox, where both Brooks and Wilder had to sign five-year contracts. Young Frankenstein was a commercial success, with Wilder and Brooks receiving Best Adapted Screenplay nominations at the 1975 Oscars, losing to Francis Coppola and Mario Puzo for their adaptation of The Godfather Part II. While filming Frankenstein, Wilder had an idea for a romantic musical comedy about a brother of Sherlock Holmes. Marty Feldman and Madeline Kahn agreed to participate in the project, and Wilder began writing what became his directorial début, 1975's The Adventure of Sherlock Holmes' Smarter Brother.

In 1975, Wilder's agent sent him a script for a film called Super Chief. Wilder accepted, but told the film's producers that he thought the only person who could keep the film from being offensive was Richard Pryor. Pryor accepted the role in the film, which had been renamed Silver Streak, the first film to team Wilder and Pryor. While filming Silver Streak, Wilder began working on a script for The World's Greatest Lover, inspired by Fellini's The White Sheik. Wilder wrote, produced, and directed The World's Greatest Lover, which premièred in 1977 but was a commercial and critical failure. The Frisco Kid (1979) would be Wilder's next project. The film was to star John Wayne, but he dropped out when the Warner Brothers executives tried to dissuade him from charging the studio his usual $1-million fee. Harrison Ford, a then up-and-coming actor, was hired for the role.

In 1980, Sidney Poitier and producer Hannah Weinstein persuaded Wilder and Richard Pryor to do another film together. Bruce Jay Friedman wrote the script for Stir Crazy, with Poitier directing, for Columbia Pictures. Pryor was struggling with a heavy cocaine addiction, and filming became difficult; but once the film premièred, it became an international success. New York magazine listed "Skip Donahue" (Wilder) and "Harry Monroe" (Pryor) # 9 on their 2007 list of "The Fifteen Most Dynamic Duos in Pop Culture History," and the film has often appeared in "best comedy" lists and rankings.

Poitier and Wilder became friends, with the pair working together on a script called Traces—which became 1982's Hanky Panky, the film where Wilder met comedienne Gilda Radner. Through the remainder of the decade, Wilder and Radner worked in several projects together. After Hanky Panky, Wilder directed his third film, 1984's The Woman in Red, which starred Wilder, Radner, and Kelly LeBrock. The Woman in Red was not well-received by the critics, nor was their next project, 1986's Haunted Honeymoon, which failed to attract audiences.

TriStar Pictures was looking to produce another film starring Wilder and Pryor, and Wilder agreed to do See No Evil, Hear No Evil only if he was allowed to rewrite the script. The studio agreed, and See No Evil, Hear No Evil premiered on May 1989 to mostly negative reviews. Many critics praised Wilder and Pryor, and even Kevin Spacey's performance, but they mostly all agreed that the script was terrible. Roger Ebert called it "a real dud"; the Deseret Morning News described the film as "stupid," with an "idiotic script" that had a "contrived story" and too many "juvenile gags"; while Vincent Canby called it "by far the most successful co-starring vehicle for Mr. Pryor and Mr. Wilder," also acknowledging that "this is not elegant movie making, and not all of the gags are equally clever."

After starring as a political cartoon writer who falls in love in the 1990 flop Funny About Love, Wilder did one final film with Richard Pryor, the 1991 box office flop Another You, in which Pryor's physical deterioration from multiple sclerosis was clearly noticeable. The film marked both Pryor's last starring role in a film (he would appear in a few cameos until his death in 2005) and also marked Wilder's last appearance in a feature film (as of 2010). His remaining work consisted of television movies and guest appearances in TV shows.

In 1994, Wilder starred in the NBC sitcom Something Wilder. The show received poor reviews and lasted only one season. He went back to the small screen on 1999, appearing in three television movies, one of which was the NBC adaptation of Alice in Wonderland. The other two were mystery movies for A&E television in which Wilder played Larry "Cash" Carter, a theater director turned private eye. those two films were also co-written by Wilder. Three years later, Wilder guest-starred on two episodes of NBC's Will & Grace, winning a Primetime Emmy Award for Outstanding Guest Actor on a Comedy Series for his role as Mr. Stein, Will Truman's boss.

Wilder met his first wife, Mary Mercier, while studying at the HB Studio in New York. Although the couple had not been together long, they married on July 22, 1960. They spent long periods of time apart, eventually divorcing in 1965. A few months later, Wilder began dating Mary Joan Schutz, a friend of his sister. Schutz had a daughter, Katharine, from a previous marriage. When Katharine started calling Wilder "Dad," he decided to do what he felt was "the right thing to do," marrying Schutz on October 27, 1967 and adopting Katharine that same year. Schutz and Wilder separated after seven years of marriage, with Schutz thinking that Wilder was having an affair with his Young Frankenstein co-star, Madeline Kahn. After the divorce, he briefly dated his other Frankenstein co-star, Teri Garr. Wilder would eventually become estranged from Katharine.

Wilder met Saturday Night Live actress Gilda Radner on August 13, 1981, while filming Sidney Poitier's Hanky Panky. Radner was married to G.E. Smith at the time, but she and Wilder became inseparable friends. When the filming of Hanky ended, Wilder found himself missing Radner, so he called her. The relationship grew, and Radner eventually divorced Smith in 1982. She moved in with Wilder, and the couple married on September 14, 1984, in the south of France. The couple wanted to have children, but Radner suffered miscarriages, and doctors could not determine the problem. After experiencing severe fatigue and suffering from pain in her upper legs on the set of Haunted Honeymoon, Radner sought medical treatment. Following a number of false diagnoses, it was determined that she had ovarian cancer in October 1986. Over the next year and a half, Radner battled the disease, receiving chemotherapy and radiotherapy treatments. The disease finally went into remission, giving the pair a respite, during which time Wilder filmed See No Evil, Hear No Evil. By May 1989, the cancer returned and had metastasized. Radner died on May 20, 1989. Wilder later stated, "I always thought she'd pull through."

Following Radner's death, Wilder became active in promoting cancer awareness and treatment, helping found the Gilda Radner Ovarian Cancer Detection Center in Los Angeles and co-founding Gilda's Club, a support group to raise awareness of cancer that began in New York City and now has branches throughout the country.

While preparing for his role as a deaf man in See No Evil, Hear No Evil, Wilder met Karen Webb (née Boyer), who was a clinical supervisor for the New York League for the Hard of Hearing. Webb coached him in lip reading. Following Gilda Radner's death, Wilder and Webb reconnected, and on September 8, 1991, they married. The two live in Stamford, Connecticut, in the 1734 Colonial home that he shared with Radner. The Wilders spend most of their time painting watercolors, writing, and participating in charitable efforts. In October 2001, he read from Charlie and the Chocolate Factory as part of a special benefit performance held at the Westport Country Playhouse to aid families affected by the September 11, 2001 attacks. Also in 2001, Wilder donated a collection of scripts, correspondences, documents, photographs, and clipped images to the University of Iowa Libraries.

In 1998, Wilder collaborated on the book Gilda's Disease with oncologist Steven Piver, sharing personal experiences of Radner's struggle with ovarian cancer. Wilder himself was hospitalized with non-Hodgkin's lymphoma in 1999, but confirmed in March 2005 that the cancer was in complete remission following chemotherapy and a stem cell transplant.

On March 1, 2005, Wilder released his highly personal memoir, Kiss Me Like a Stranger: My Search for Love and Art, an account of his life covering everything from his childhood up to Radner's death. Two years later, in March 2007, Wilder released his first novel, My French Whore, which is set during World War I. His second novel, The Woman Who Wouldn't, was released in March 2008. In 2010, he released a collections of stories called What is This Thing Called Love?.

An unauthorized biography of Wilder entitled Gene Wilder: Funny and Sad by Brian Scott Mednick is being published in February 2011 by BearManor Media.
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Played a man wrongly accused of committing a crime in five movies: Silver Streak (1976), The Frisco Kid (1979), Stir Crazy (1980), Hanky Panky (1982), and See No Evil, Hear No Evil (1989).

Starred with Richard Pryor in four movies: Silver Streak (1976), Stir Crazy (1980), See No Evil, Hear No Evil (1989), and Another You (1991).

Won the Clarence Derwent award for the Broadway play "The Complaisant Lover" in 1962.

Graduated from the University of Iowa with a Bachelor of Arts degree.

After his wife Gilda Radner died of ovarian cancer, Gene co-founded Gilda's Club, a support group to raise awareness of the disease.

Was diagnosed with non-Hodgkin's lymphoma and is undergoing chemotherapy. [1999]

Wife, Karen Boyer, is a former speech pathologist.

Is a life long brother of the Alpha Epsilon Pi Fraternity.

Says he picked the name 'Gene Wilder' because he couldn't see a 'Jerry Silberman' playing Hamlet. He admits now that he can't see 'Gene Wilder' playing Hamlet either.

Made a full recovery from Cancer in 2000.

Uncle of director-screenwriter Jordan Walker-Pearlman.

Campaigned with Elaine May and Renée Taylor for Eugene McCarthy, Allard Lowenstein and Paul O'Dwyer, 1968.

Served with U.S. Army, 1956-58.

Has been a staunch liberal Democrat for many years, and was staunchly against the Vietnam War. He is now against the War in Iraq.

Treated his cancer with an adult stem-cell treatment.

When he chose his stage name, he chose "Wilder" because he loved Thornton Wilder's play "Our Town". The name "Gene" he chose simply because he liked it, not realizing until later it was because his mother's name was Jeanne (she was sick for most of his childhood, and he spent much of his time entertaining her as a kid to keep her happy and her spirits up. He subconsciously chose the name because he loved her so much and in honour of her).

While serving in the U.S. Army, he was assigned as a Medic to the Department of Psychiatry and Neurology at Valley Forge General Hospital in Phoenixville, Pennsylvania. He worked in treating psychiatric patients.

He claims that before Mel Brooks recruited him, he regarded himself as more of a dramatic than a comedic actor.

His performance as Dr. Frederick Frankenstein ("that's FRONKensteen") in Young Frankenstein (1974) is ranked #9 on Premiere Magazine's 100 Greatest Performances of All Time (2006).

His performance as Willy Wonka in Willy Wonka & the Chocolate Factory (1971) is ranked #38 on Premiere Magazine's 100 Greatest Movie Characters of All Time.

Attended the University of Iowa, as did Ashton Kutcher, Mary Beth Hurt, and Ben Rollins.

He adopted Mary Joan Schutz's daughter, Katharine Anastasia, but became estranged from her when she was in her early twenties.
[on Mel Brooks]: A loud kind of Jewish genius - maybe that's as close as you can get to defining him.

Woody (Woody Allen) makes a movie as if he were lighting 10,000 safety matches to illuminate a city. Each one is a little epiphany: topical, ethnic or political.

[on the new Charlie and the Chocolate Factory (2005) movie, telling Daily Telegraph]: It's all about money. It's just some people sitting around thinking "How can we make some more money?" Why else would you remake Willy Wonka? (Willy Wonka & the Chocolate Factory (1971))

[about his role in "Everything You Always Wanted to Know About Sex...But Were Afraid to Ask"] And that's not an easy task, being in bed with a sheep, especially if you make the sheep nervous. I'm not going to go on, if you know what I'm talking about.

I'm not so funny. Gilda (Gilda Radner) was funny. I'm funny on camera sometimes. In life, once in a while. Once in a while. But she was funny. She spent more time worrying about being liked than anything else.

[On Mel Brooks] We are not interested in polite titters, we want the audience rolling on the floor and falling about. Mel works on his feet -- it's a hit and miss, hit and miss, hit and miss. Then in the editing he will take out the misses!

[On the second version of 'Charlie and the Chocolate Factory] I haven't seen it. I like Depp, but when I heard they were doing a remake, I heard: mistake. When I saw clips on TV and I saw what Depp was doing, I thought: Don't see that movie - you like Depp too much. I always get comments: 'Yours is better'. I know they're talking about Willie Wonka.
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